This
fifty-eight-minute Pine-Thomas Production for Medallion Pictures
Corporation was released by Paramount Pictures. With three films in
1947, this is the last of four based on the long-running radio drama
series, “Big Town,” and garnered a revised title when premiered
on television. All four entries starred Philip Reed and Hillary
Brooke, as the newspaper’s editor and reporter, respectively. This
was not filmed in the early Forties and then held back for release. But
it seems like it. It moves along well enough but it is an outdated
view of juveniles and how basketball was played. You will also
witness some of the most unbelievable back-screen in-car footage
since the Keystone Cops. This entry, with its highly improbable
ending, addresses juveniles who find themselves on the
cul-de-sac of life's road.
Brooke
volunteers Reed to take custody of the boys. He balks initially but
an organized team sport might provide needed discipline for the kids.
Fortunately, Reed is an avid basketball player and coaching is his
assignment. Volunteers convert the second floor of a dormant building
into a gym of sorts. During the initial practice, Brooke provides a
surely dated commentary about Reed wearing a sweater. It went beyond
my understanding. Maybe men did not typically wear a sweater without
a shirt underneath. Perhaps a crew neck sweater was a major faux
pas when coaching or a sweater was only meant for female pinups.
Reed is unable to hear Brooke’s off-the-cuff remarks yet she is
within earshot of two colleagues. She teasingly says, “Nothing like
a sweater to bring out the ham in a man, is there?” One colleague
replies, staring into space, all dreamy-like, “I wouldn’t know. My
wife never wears it.”
Twenty-two-year-old Stanley Clements is some sort of a teenager and the savvy
leader of the “wayward five.” The group is arrested for the theft at a sporting goods store with skewered intentions for starting a team
sport on their own, figuring no one would notice the brand-new
equipment. Some notable actors in the gang are Darryl Hickman, Carl
“Alfalfa” Switzer, Tommy Bond—the
first Jimmy Olsen from the “Superman” serials—and
the lesser-known Roland Dupree. Given any gang's use of slang, Bond's
nickname among the other four is “dum-dum.” No cruelty intended.
The birth defect was commonly referred to then as “deaf and dumb.”
Deaf as in the inability to hear but not dumb as in stupid. Simply
the inability to speak, as in “struck dumb.” Bond regularly plays
basketball using hand signals with the other team members. Hats off
to the screenwriter or producer for including such a character and
making him a positive character in the film. He provides a benefit
after the championship game, too.
Clements has big-town dreams of owning expensive things after his basketball rehab and generally going astray. He has a history with a gangster, played by John Phillips. He entices Clements into stealing furs stored in the garage below the gym. Savvy Clements wants a cut of the profits. After his cut is actually cut, he wants to part company with Phillips. Not that easy. However, if he throws some games, he will receive kickbacks for his lack of effort.
With the championship game on the line, Clements ignores the gangster’s threats and wins the game in the closing second with a one-handed thrust while falling to the court—after taking a bullet for the team. Somehow. From a seated position and a gun under an overcoat on his lap, one might wonder how the gangster could possibly hit anything smaller than a milk truck. The shot only wounds Clements. Ironically, his team is named the “Big Shots.”
Clements has big-town dreams of owning expensive things after his basketball rehab and generally going astray. He has a history with a gangster, played by John Phillips. He entices Clements into stealing furs stored in the garage below the gym. Savvy Clements wants a cut of the profits. After his cut is actually cut, he wants to part company with Phillips. Not that easy. However, if he throws some games, he will receive kickbacks for his lack of effort.
With the championship game on the line, Clements ignores the gangster’s threats and wins the game in the closing second with a one-handed thrust while falling to the court—after taking a bullet for the team. Somehow. From a seated position and a gun under an overcoat on his lap, one might wonder how the gangster could possibly hit anything smaller than a milk truck. The shot only wounds Clements. Ironically, his team is named the “Big Shots.”
Note: Perhaps no single element dates this film more than when on the basketball court. A faint shadow of today’s fast-paced, aggressive play. These play-actors are not professionals, of course, but it casts a light on the average neighborhood play. Layups are the scoring shots. Free throws are done with both hands in an underhanded “bucket shot” form. No one attempts to block an opponent or attempt to steal the ball, perhaps taking the Seventh Commandment too literally.
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