January 11, 2021

HOT ROD (1950)


Monogram Pictures did the right thing by keeping this a sixty-minute film. One could blame an idealistically inane screenplay by Daniel Ullman for these “break-out” kids who use proper grammar and handle adversity with unselfish common sense. Lewis Collins
known for his many Westernsdirected. Hollywood had its influence on this film, but these mid-century people actually existed in smaller cities across the United States. In five years, MGM’s Blackboard Jungle will portray a harsher rebellion far removed from this milquetoast outing.

Opening voice-over narration describes what a hot rod is against the backdrop of stock footage at El Mirage Dry Lake in California. Edward Kay’s score with frenetic violins supports the film’s opening, reminding one of a 1930s action serial. Poignant, as the hot rods in this film, are souped-up Thirties coupes. With World War Two stagnating the auto industry’s creativity, the hot rod culture was born out of a need for something completely different. The music takes a serious tone as we see an overturned hot rod along a county road. Racing in the desert is legal and safer. Street racing is for “Club Ignorant” members. The crux of the film.


Six hot rods, two rows three-abreast, race on a straight stretch of road for bragging rights with the pavement barely wide enough to stay on the concrete. Unbelievably, the road’s finish line is lined with high school fans, many standing on the edge of the pavement. Though the starting point is completely out of sight, the gang is already cheering wildly. The fans are looking acrossnot downthe road but Hollywood gives the impression they have the same vantage point as the camera crew. It is called filmmaking. I get it. It takes the racers forever to speed past their classmates due to repeated views of the previous footage. Topping the preposterous scene off is a motorcycle cop—heading in the opposite directionattempting to halt the speeding hot rods by waving his arms wildly. His death is averted.


James “Henry Aldridge” Lydon (left) seems to reprise his iconic character this time as the son of the town judge, Art Baker, who apparently runs the town. He is not wavering about cracking down on illegal street racing so the teen gene pool is not completely drained. In a rare instance, Myron Healey does not play a crook but a police officerthe older brother to Lydon. Trying to convince “Pop” to support a legally timed strip will not be easy. Lydon buys an old beater and being level-headed, does not add any “soup.” It is just a tired dog of transportation. His best bud and comic relief, Gil Stratton, is full of sarcastic jabs about it. This from a guy whose imprinted cap designfrom the frontmakes it look like his hair is in curlers. Gloria Winters, Lydon’s spoken-for girl since grade school (aka elementary) is embarrassed to ride in his turtle junker. Local demon of speed, Tommy Bond (right) is a hit with the ladies and a twisted crankshaft to Lydon. Lydon and Stratton set out to piece together the fastest rod within the city limits.

Jealous, Bond steals Lydon's pride and joy then sideswipes a sedan in town, parking the car nearby. The police and the entire town, including Winters, assume Lydon is guilty without any proof. This, back when social media was actually social. He escapes a “public hanging” when Bond jumps up in the courtroom to confess. “Judge Dad” is lenient, but orders his own son to get rid of the hot car nonetheless. But...fate moves its huge hand—my apologies to screenwriter, Stanford Whitmore. A bank robber saves the day as Lydon’s hot rod catches up with an escaping Cadillac’s license plate. A motorcycle cop and patrol car quickly catch up with Lydon and Stratton who lead the police in the waning moments of the pursuit. This is a pretty realistically filmed chase. For his heroism under preposterous circumstances, Lydon gets a motorcycle police escort back home as the officers vouch for the kid to his father. Hot rods and law enforcement are on the same side. There is a highly contrived closing as the judge’s public apology falls on deaf ears at the drag strip’s groundbreaking ceremony.

Note: Gloria Winters is best known to Baby Boomers as Penny on the action-adventure Saturday morning show, “Sky King.” Kirby Grant starred as Schuyler "Sky" King while Penny portrayed his niece who was always consumed by unexpected trouble. The television version began in 1951 and the popular show ran for eight years. As for Tommy Bond, he was the original Jimmy Olson in the Superman movie serials.

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