NEW YORK CONFIDENTIAL (1955)

Based on the novel of the same name by Jack Lait and Lee Mortimer, this eighty-eight-minute film stays several stories above ground thanks to a superior cast. Richard Conte is a standout. He plays the always smiling, polite, confident hitman for a Chicago mob, tarnishing an otherwise likable guy. Key to the film is Broderick Crawford as the knee-jerk, hot-headed mob kingpin who has worked his way to the top by intimidation and not necessarily brains. Crawford was blessed—or cursed—with the ability to speed-talk faster than your average Millennial, something that belies his facial appearance. His script alone is half as thick as the rest of the cast because he crams five pages into one.

Edward Small Productions, along with Clarence Greene, produced this “confidential” film—Small's second—centering on a crime syndicate's control of big-city movers and shakers obsessed with rising to the top by any means. It is directed by Russell Rouse, who along with Greene, wrote the screenplay. Though not a particularly busy career, Rouse wrote screenplays and/or directed a wide variety of films, spanning such diverse films as, Wicked Woman starring his wife, Beverly Michaels, and Doris Day's classic, Pillow Talk. Small's earlier Kansas City Confidential offered some uniqueness that this film lacks. Those Midwest folk were way more creative with their crime. This film is never exciting nor intense—a basic rehash of how a cartel can pressure ordinary businessmen with an offer each cannot refuse. As was common, opening narration sets up the premise by radio and television actor Marvin Miller.

Conte is on a relaxing East Coast assassination vacation when Crawford calls him into his office. He makes an immediate impression and the boss hires him at twice his Windy City salary to be his business “equalizer.” From the start, one gets the feeling these two devoted friends will face off one way or the other. Syndicate friendships can be fleeting. Strictly business. Nothing personal. Anne Bancroft plays Crawford's daughter who rebels against her dictated life and is embarrassed by her father's career. She is socially unacceptable. Her casting seems to be fortuitous timing being the right age and a relative newcomer.

A plan to cut the head off the syndicate is initiated by the governor's crime commission. Crawford sends three men to eliminate the primary target but they botch the assignment and leave behind too many clues. This will not be tolerated. The syndicate becomes smaller by three. Conte is sent out to finish the house cleaning. All the while Crawford is being pressured to turn state's evidence, relinquishing his hold on the cartel. The syndicate realizes they will all be implicated if he cooperates. Conte is given the heartless assignment. Later that night as he parks near his apartment—in a momentary lack of judgment—Conte exits down the middle of the dark street. What goes around comes around.

Note: New York Confidential was generally well-received, in part due to the familiar cast. J. Carrol Naish plays Crawford's right-hand man. A character whose inside knowledge of the syndicate becomes a liability. The widowed Crawford has attracted a new girlfriend, Marilyn Maxwell, who finds herself in the wrong place and time. She and Bancroft both have designs on Conte but he has learned to stay in his own neighborhood. Then there is the actor one would expect to be associated with gangsters, Mike Mazurki. As a life-saving measure, he actively pursues a plea bargain. Finally, Barry Kelly, in somewhat of his typecast character, plays the unethical syndicate attorney trying to work both sides of the legal fence.