Saturday, July 1, 2017
DANGEROUS MISSION (1954)
There is no faulting the cast of this colorful B-movie with A-list actors produced by RKO Radio Pictures. Outside of these stars its main claim to fame was its use of 3D technology of the era. In a final climatic scene, an out-stretched arm to retrieve a revolver may have elicited a few oohs and ahhs. In whatever dimension it is not hard to recognize the early Fifties RKO touches. Back projected scenes and less than realistic special effects. It would appear most of the money was doled out on the cast. Which was a wise move. Nearing the peak of his career, Victor Mature gets top billing, followed by Piper Laurie, William Bendix and RKO's go to man, Vincent Price.
While working in New York, Laurie stumbles onto the murder of a mobster. She hits the rails to Chicago, transfers onto the Great Northern Railway's “Empire Builder” and gets a job at the Glacier National Park gift shop. I assume. Who could possibly find her there? Mature, for one, who descends rather quickly after her arrival. His suave demeanor, pants with no rear pockets and heavy eyelids are attracting to Laurie. She is also fond of Price, who is doing his best impression of a sincere amateur photographer. Both are gentlemen as each trade date nights with fairness and civility. Her dangerous mission is staying alive to the end of the film as the authorities want her to testify for what she witnessed. Never mind the silly sub-plot involving the ever-charming Price with an Indian maiden, Betta St. John, who is evidently from the local Naive Tribe.
The title is broad in meaning. “Dangerous Mission” does present a number of dangerous sequences. All of which have nothing to do with the plot. Like so many current movies or television dramas, this film assumes the viewer has the attention span of a gnat. A trait for which Irwin Allen honed. There is an avalanche during a party in the mountains. A party essentially intended to further introduce characters to square dancing. The crushing avalanche brings down power lines. Mature does not hesitate to climb one utility pole to curtail a dangerous live wire in the likes of Angus MacGyver. He did this frequently as an Marine. Apparently. Then there is a forest fire in which untrained civilians, Mature and Price, are enlisted into fighting by stuffed uniformed ranger, Bendix. All seems quite dangerous. Finally, a frame-eating Indian ceremony to perhaps capture Montana's heritage or to bump up tourism for the coming summer of 1954.
The opening and early scenes set the viewer up for a potential crowd-pleaser. The cast is entirely responsible for this potential. Overall, I found the movie's pacing pretty good at holding your attention. But it is a routine drama except for the aforementioned “surprise” scenes. Some of which inserted to show off the 3D effects, I imagine. One can thank the poor editing for these. The ending, amid sets with glacier paint and studio lighting, brings few surprises though it is fairly exciting. The hit man to take Laurie out (not on a date) shows a lack of skill under pressure. By this point most viewers had already chosen the cast member they hoped would not survive a fall to an icy abyss.