Showing posts with label warren stevens. Show all posts
Showing posts with label warren stevens. Show all posts

August 20, 2016

INTENT TO KILL (1958)



This is a pretty effective, yet unbelievable melodrama/thriller directed by Jack Cardiff, the famed cinematographer—more effective than the paid assassins in the film. Shot during a cold, snowy season in Montreal, the movie opens with a climactic score (over a blaring ambulance siren) yet it is only the first two minutes of the film. Perhaps not that particular as it anticipates what is ahead. One expects something drastic to happen at any moment but the only “excitement” is the quiet and careful deboarding of a South American president, Herbert Lom, who has been transported to Montreal for personal safety and special surgery on his potentially fatal cranial blood clot. Having previously survived an assassination attempt, the fire escape outside his window makes him nervous and requests a move to another room. A nice touch in the film’s early going as who knows what goes up or down those steps all hours of the day or night. To help comfort him, he asks a nurse to bring him his statue of the "patron saint of assassination."

Lom’s political opponents have hired hitmen, Warren Stevens, John Crawford and Peter Arne to kill Lom for good. They are taking orders from Lom’s personal aide, a detail unknown to him. Crawford and Arne do not get along. Stevens has to bring the hammer down on Crawford for his attitude and his absences for drinking and womanizing. Arne, a former doctor, is to administer a needle full of air into Lom’s vein. Stevens’ scouting made him aware of Lom’s move to another room but Arne knows nothing of the move until he is informed after killing the wrong patient.

Mixed into this assassination plot are surgeon, Richard Todd, and his nagging, self-centered wife, Catherine Boyle, who has arranged for him to take a high-paying position back in London. The high-paying part is of special interest to her. Todd has no interest except in fellow doctor, Betsy Drake, once again with near comatose acting. Judging by Boyle’s effective, irritating performance, most viewers might feel Todd deserves better. Meanwhile, the personal aide is hoping for a future with Lom’s beautiful wife once he has been dispatched.


As Lom recovers, he comes to the conclusion that the two may be romantically involved or plotting to kill him. The hitmen, determined not to lose their payoff, become even more incompetent leading to confrontations in the hospital. Arne tries once again to needle Lom but a detective asks him to identify himself. Arne loses his cool but never has any from the start. Todd volunteers as a lookout at the stairway entrance and Drake joins him. Crawford shows and threatens Drake at gunpoint to vouch for Arne. She stumbles over a question from the detective answering, “He...he is...doctor...watch out!” The detective falls from Arne’s bullet. What is funny are the gunshots which sound like cap pistols. The film takes a nosedive after the bad sound effects and never recovers. Unlike Lom. Arne gets a bullet in return and when Crawford enters the hall, he sends Arne to "an emergency room in the sky" by shooting him a few times. Nice knowin’ ya, bub.

Todd tangles with Crawford, who leaps down a flight of stairs in swashbuckling form as Dr. Peter Blood might do. Their struggle crashes both through a window and they fall to the pavement below. Crawford is spared spinal surgery but is arrested. Todd has surgery to remove a Crawford bullet.

As confusion and chaos rage in the hospital, Stevens assumes the role of an authoritarian figure, ordering nurses and orderlies around. Very official. It gets him access to Lom's unguarded room to perform a quick hit. Barely inside the room, he discovers Lom knows how to use that statue in a manner he could never have anticipated.

Note: It is a decent enough, if forgettable film, with competent performances. I can forgive Lom’s dull performance owing to his brain surgery. Alexander Knox possesses his role as the chief surgeon and wise counsel. Stevens stays cool and calm despite being a failure at the boss level. In an odd Todd closing prior to his surgery, Drake leans over next to his face and quietly whispers, 'Breathe Deeply,' as if referencing an alternate British title. One could spend some time debating why that line ends the film.

October 11, 2015

ACCUSED OF MURDER (1956)



Filmed in Naturama, Republic’s answer to Paramount’s VistaVision, and Truecolor, where interior shots looked crisp and realistically, yet cold, this seventy-four-minute film is a pretty lackluster outing for a mostly competent cast. They lift this to a solidly average B-movie. Distributed by Republic Pictures, it is directed and produced by Joseph Kane, and is based on the novel, "Vanity Row" by W. R. Burnett. The seventy-four-minute screenplay is by Burnett and Robert Creighton Williams. A film probably dismissed once leaving the theater.
You witness a murder. You arrange to meet the assumed murderer, hitman Warren Stevens, with the intent of blackmail. How dumb do you need to be? Like Virginia Grey in this role. Her “dance for hire” job stinks and she looks marked for death from her first scene. After she confronts Stevens, he insists he did not commit any murder and decks Grey. But neither is quite through. She pesters him by phone later, with Stevens returning to severely beat her as a final warning. Grey will be the performance best remembered from this film.

Stevens is on a shortlist of suspects, the other being Vera Ralston, who portrays a singer, after a fashion, whose nightclub is frequented by Sydney Blackmer, an underworld lawyer. To him, her dubbed vocals are like sugar to a cockroach. I could have used closed captioning for some of her dialogue due to her thick accent. Despite this possible communication problem, Blackmer is interested in marriage, a thought that never occurred to her. He does not take her rejection gracefully.



During the investigation, the police lieutenant, David Brian, after hearing---translating---her story to his fellow officers, gets more involved with Ralston than official police procedures. His performance is the other one remembered. He is solid and believable, coming off strong yet compassionate. He is sympathetic toward Ralston believing she is innocent, though growing evidence provides doubts. Squint-eyed partner, Lee Van Cleef, pressures Brian, suggesting he has a conflict of interest. Cleef possesses a most unfortunate last name for an aspiring sergeant: Lackey. There are a few twists and curves to keep one guessing how Blackmer expired with an ending that may surprise you. But by shaving fifteen minutes never to be missed, it could have played better as an hour-long early television episode.